Landslagsmálverka tískan.
Þegar ég var ungur, var landslag ekki beinlínis í tísku, a.m.k. ekki landslagsmálverk, það breittist samt og var í tísku í mörg ár hér á skerinu, en núna er það ekki inni skilst mér, hverjum er ekki sama um tískur , landslagið þarf ekki einhvern móð til að blífa.
Ég reyni að nálgast þetta viðfangsefni frá ýmsum hliðum,en ég nota landlagið meira sem inblástur, frekar en til staðarlýsinga og hef notað það mikið í tilraunum mínum við að blanda saman ljósmynd og málverki,
Svo geri ég einskonar landakort gjarnan með hjörtun á útnesjum.
Landscape as painting.
When I was young, the landscape painting was not exactly fashionable, it changed a lot and was fashionable for many years here on the ice land, but now it’s not inn, but landscape do not care about the fashion, the landscape can always keep calm.
I try to approach this subject from a variety of aspects, but I use the landscape more as inspiration, and I have used it a lot in my efforts to mix photographs and paintings, I alsow do some kind of maps often with kind of heartbeat.
Okkar hjartkæra land. 30×40 cm Kr: 15500,-
Our dear country. 30×40 cm IKr: 15500, –
Beðið eftir gosi. 35×50 cm. 120000.- Ikr.
Sleeping volcano. 35×50 cm. 120000.- Ikr.
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Published by Daði Guðbjörnsson
Lives and work as an artist in Reykjavik.
Alter ego DADILISTO
I was born in Reykjavik: May 12, 1954. Grow up Kópavogur close to Reykavik, which was mostly built by refugees, who were not allocated land in Reykjavík for political reasons. Good time for children to play in half builded houses, or go to a small shelter and listen to the communist.
When I was 12 y.o. I decided to become a painter and, as my father resisted, it would not turn back.
After I have learnd Carpentry to make my father happy, I went to The school of Arts and Crafts, and ended up learning experimental art and new art media, I could take all the risks, I had lernd very practical profession to be able to make a living. I did not get started with creating so called “New media”, but began do painting with the good old oil colours. I was a part of movement in the eighties called “New Painting”. I then studied in Amsterdam for a year, mostly of graphic printing, but that time was a great gift for me, since I started working as a professional and have done so mostly since 1983.
I’ve been very lucky! I was one of the first to do, so called “New Panting” in Iceland, this promotion drew attention and I started selling my art works and could make a living in a decent life, all the time until the lucky famous “collapse” of the banks in Ieland, but at that time people mostly have to use their money in pay-as-you-go debt created by our economic system in Iceland, probably one of the worst in the world.
After that crash, I have been doing some extra work: teaching, city walk with tourist and so on, I have alsow been having pepole visiting my studio with some home-made food. But also received a grants.gov support for big exhibition in Art museum: Kjarvalsadir in 2011. This period has been nice, always good to get new challenges especially if one manages to take advantage of them. I recently had an exhibition of Mokka Kaffi in Reykjavik hat was successful.
I have been doing Sahajayoga for many years and have volunteered to teach and introduce.
Daði Guðbjörnsson
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